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We are living in good times for drama

28 February 2014 / 20:02:45  GRReporter
2972 reads

Fátima Taboada López

Intern

At the invitation of the Spanish Embassy, one of the great contemporary Spanish dramatists, Rodolf Sirera, is in Athens to attend the reading of his play “Maror” within the context of the 3rd Ibero-American Festival of Dramatic Readings which takes place at Instituto Cervantes. During his stay in the city, last Sunday he attended the excellent performance of his play “The venom of theatre” at Alkmini Theatre. This is his 3rd visit to Athens and he feels very glad to be here again. GRReporter had the chance of talking with him.

Scriptwriter and playwright, Sirera is one of the great innovators of contemporary drama in the Catalan language. His first successes with L'assassinat del doctor Moraleda (1970) and El verí del teatre (published and staged in 1978) were followed by those of Indian Summer (1990) and Bloody Mary Show (1980) that incorporates circus and music-hall elements, among others. Rodolf Sirera was born in Valencia in 1948. A playwright, translator, writer, consultant and administrator in the cultural sphere, he is associated with the resumption of theatre life in Valencia, in which he takes an active part as a theatre critic, researcher and publisher. In 1972, he founded El Rogle group, the main objective of which is to perform plays written in the Catalan language. He has been able to introduce some aspects of Catalan theatre to Valencia. He is the most prominent intellectual in the democratic society in Valencia after the time of General Franco. The venom of theatre (Verí del teatre) is his most famous play, which has made him popular in Spain and worldwide

How was the reception of your play on Sunday?

It was a very nice and beautiful staging. I wrote that play 35 years ago and it has been performed quite regularly in many places because it has been translated into many languages. The first performance in Greece was about 20 years ago in Ioannina. Unfortunately, I could not attend it then so it was very exciting for me to attend this new staging. The reception from the public was very good. Whenever this play is staged, it is like a new work because each director has his own way to approach the play. However, I have to say that this is one of the best versions I have ever seen.

Would you like to watch it on the big screen?

The venom of theatre has been adapted for the television 3 or 4 times, in Spain and in other countries. Long time ago I was asked to write a screenplay for it but the shooting did not take place because it was an expensive production at the time, as the action takes place in the years before the French Revolution. Otherwise, yes, of course, I would love to watch a film based on the play. The truth is that, at first, the play was written for television, not for theatre. In fact, it was released on TV first, during a show called Stage plays.

What is the situation of drama at present?

Surprisingly, the situation of drama is not as bad as expected. They say that drama is one of the arts that react best in the context of crisis, possibly because the direct contact with the audience gives it a vitality that other arts like cinema do not have. That is why in the middle of the crisis there are often a lot of plays, for example, comedies, that aim to distract us from the hard times in which we are living. That does not happen only in Spain, but also in other countries like Greece. Times are good for drama, but it is true that what is presented now is not as risky or committed as drama should be. Drama has overcome all crises and difficult times: there are many theatres in operation, many spectators. I think that is good because drama has to bear witness to what is happening in the world and be a way of escape.

What do you want to show with your drama?

Well, I live in the Valencian Community, where people speak both Spanish and Catalan. I chose to write in Catalan in order for drama to contribute towards preserving this language. The situation has improved because there are regular classes in Catalan at schools and my second intention is to consider drama as a mirror of the world in which I live and of its contradictions. The fact that Europe is not the result of present time, but the result of history, such as World War I and World War II, is also important to me as well as the history of Spain, the civil war there, the post war, the recovery of democracy. That is why I like working with the hallmarks of society in which we live. I tried to tell the stories that I would like to be told.

Each play is totally different. When you have been writing for a long time, you evolve according to the things that happen to you and you write different things. Writing is not the same when you are 30 years old and when you are 50 or 60.

Do you have any projects right now?

I do. I have written many scripts over the years and that has made it hard for me to write drama. Some of the series in which I was involved were extremely long, for example 7 years. Right now, I am trying to resume writing drama but the situation has changed for 30 years and now it is very difficult to play drama, especially if there are 4 or 5 characters, it is too long or it is not comedy. Under these conditions, it is necessary to look for interesting things that can be played.

Do you prefer writing drama or scripts?

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